A revolution always starts with “ONE”The RED ONE redefined digital cinema upon its arrival, democratizing 4K capture and challenging the status quo. Utilizing an S35mm image plane, the RED ONE displays a natural depth of field from 2K to 4.5K resolutions. Seize every moment with the ability to capture anywhere from 1-120 fps onto high-speed RED CF or SSD media. Interchangeable lens mounts and free firmware updates keep the RED ONE versatile, letting you and your equipment thrive on the cutting edge. A revolution always starts with ONE..
Since its arrival, the RED ONE has established a pedigree of Oscar winning films, 3D features, and even magazine covers that have solidified its reputation as a reliable workhorse. Introduced as the purest digital alternative to 35mm film, the RED ONE has shot some of the most influential films of our time – from “Che” to “The Social Network”. Its ability to sustain brilliant 4K images in even the toughest environments has contributed to its enduring success as one of the greatest digital cinema cameras of all time.
With over 5 years of experience, the RED ONE has matured to become as stable as it is powerful. Continually evolving firmware keeps your RED ONE up-to-date, ensuring that your camera is always satisfying the highest standards of performance. The addition of the Mysterium-X™ sensor and improved audio capabilities has contributed to the success and longevity of the RED ONE. Now with the ability to reach up to 4.5K, RED firmware continues to bring out the best of the best.
| SENSOR | 14 MEGAPIXEL MYSTERIUM-X™ |
|---|---|
| PIXEL ARRAY | 5120 (h) x 2700 (v) |
| S/N RATIO | 66db |
| DYNAMIC RANGE | 13+ stops |
| MAX IMAGE AREA | 4480 (h) x 2304 (v) |
| LENS COVERAGE | 24.2mm (h) x 12.5mm (v) x 27.3 mm (d) |
| DEPTH OF FIELD | Equivalent to S35mm (Motion) lens Equivalent to 16mm (Motion) lens in 2K RAW |
| ACQUISITION FORMATS | 4.5K RAW (2.4:1) 4K RAW (16:9, HD, 2:1, and Anamorphic 2:1) 3K RAW (16:9, 2:1, and Anamorphic 2:1) 2K RAW (16:9, 2:1, and Anamorphic 2:1) |
| PROJECT FRAME RATES | 23.98, 24, 25, 29.97 fps @ 4.5K, 4K plus 50, 59.94fps @ 3K, 2K |
| DELIVERY FORMATS * | 4K : DPX, TIFF, OpenEXR (RED RAY via optional encoder) 2K : DPX, TIFF, OpenEXR (RED RAY via optional encoder) 1080p RGB or 4:2:2, 720p 4:2:2 : Quicktime, JPEG Avid AAF, MXF. 1080p 4.2.0, 720p 4:2:0 : H.264, .MP4 |
| MONITOR OUTPUTS | HD-SDI and HDMI with Frame Guides and Look Around 720p RGB or 4:2:2 SMPTE Timecode, HANC Metadata, 24-bit 48Khz Audio |
| DIGITAL MEDIA | REDFLASH (CF) Module : (16GB Media) RED SSD™ (64GB, 128GB, 256GB Capacity) |
| REDCODE™ | 12-bit RAW : RC28, 36, 42 Quality Levels 1-30 fps 4.5K, 4K 1-60 fps 3K 1-120 fps 2K |
| AUDIO | 4 channel, uncompressed, 24 bit, 48KHz. |
| MONITORING OPTIONS | RED LCD 5″ Flat Panel Display RED PRO LCD 7″ Flat Panel Display BOMB EVF™ High Definition Viewfinder |
| REMOTE CONTROL | USB-2, GPI Trigger |
| WEIGHT | 10lbs. Body |
| CONSTRUCTION | Aluminum Alloy |
| TEMPERATURE RANGES | Operating Range: 0˚C to +40˚C (32˚F to 104˚F) Storage Range: -20˚C to +50˚C (-4˚F to 122˚F) |
